I almost went so far as to say that “I called it” last week when I theorized a possible threesome, but things come crashing down pretty quickly when Rue tells Jules she can’t stand her, and later Elliot tells Jules that Rue has relapsed. We can’t forget the continuation of their sexy game of truth or dare, which definitely induced some butterflies for me. While some of the other character arcs feel stalled, the Rue/Elliot/Jules triangle truly makes some progress this episode. There are small instances of gratification, such as when the attraction between Jules and Elliot reaches its boiling point and they finally kiss, but otherwise we’re left begging for more. The tension between Rue, Jules, and Elliot is perhaps the most satisfying part of this episode. It isn’t too surprising that Hunter Schafer and Dominic FIke might be involved in the real world, too. As they do unspeakable things to each other’s hands, it becomes clear why: the chemistry between Jules and Elliot trumps whatever he and Rue may have had. Jules and Elliot have grown closer, leaving Rue as the outsider. Jules goes to Elliot for advice following the disaster, and something has noticeably shifted in the trio’s dynamic since the last episode. When Rue fakes an orgasm, we discover that while Zendaya’s acting is admirable, Rue isn’t much of an actor herself. My personal favorite was their reproduction of Brokeback Mountain, featuring a mini horse and a dramatized makeout that provided much-needed comic relief for this episode.Īfter reveling in the delight of the film recreations, Rue and Jules’s sex scene brings us back to the desolate reality that is Episode 4-and it only goes downhill from here. What’s better is the ensuing sequence in which Rue and Jules recreate classic paintings and iconic film scenes among the likes of The Birth of Venus, Ghost, and Titanic, as Rue basks in her love for Jules. Yes, they’re finally doing it, but Rue is also so high on opiates she can’t feel a thing she says Jules might as well be licking her ankle. While this episode delivers on Euphoria ’s characteristic awe-inspiring visuals and memorable soundtrack, the plot and characters once again fall flat.Īs always, Sam Levinson throws us into the deep end with the episode’s opening sequence-how could we stop watching after something as alluring as last week’s butt shot? This episode opens on Jules going down on Rue, which I both love and hate to see. Of course it had its impressive, entertaining moments, but “You Who Cannot See, Think of Those Who Can” is defined primarily by its absurdity-which is in some moments a joy to watch, and in others, painstakingly difficult to sit through. But I finished this episode more appalled than amazed. As audiences wait for the teen drama's next season, it's the best time to look back at some of the quotes from Rue's special that have helped provide context about her character and story arc in the series so far.“Euphoria” hits its breaking point in episode 4Įuphoria never fails to shock, and Season 2 Episode 4 is no different. Of course, Ali's best quotes in Euphoria also come from that diner scene and serve as important lessons about the disease of addiction. Some of Rue's famous lines are from that episode, and they've helped viewers understand her actions and decisions better. Updated on March 11th, 2022, by Hannah Saab: Rue's special still continues to be a popular topic of discussion and debate among fans. It also became clear just how much she hates herself and Ali wanted her to see that it doesn't have to be that way. The only thing that makes her feel temporarily good is drugs. She doesn't see any hope in the world where people lie, cheat, and hurt each other. She is a girl, caught in a profound existential crisis. To reduce Rue to just an addict would do her a great disservice. RELATED: 15 Most Memorable Quotes From The Jules Special In Euphoria
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